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I have surprises up my sleeve in connection 
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(FOR LOUISE’S OTHER ANIMAL PETS, 
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The cast of boy and girl friends of Louise and Maxie 
may be enlarged with advantage to the production. 
Again, for reasons of economy, it can be produced with 
but two inexpensive sets of scenery. 


Scenario readers for moving picture purposes and 
others interested in the moving picture possibilities of 
this story, will find scenes preceding this act in the 
picture version at the end of the book on pages 74 to 79 
which may be read to advantage before reading Act One. 


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PROCEED WITH THE DANCE 


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SADIE (examining card and reading 
aloud) : “To the rose of my heart, the rose 
of all the roses, with profound love and deep 
respect to LOUISE from ‘TENNIS JACK.’” 


(Enter CHRISTY LAWTON) 

(The girls looking rather bashful, each 
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will see it through. 

THOMAS (full of meaning) : Good ! 

(Gracefully exits) 


CHRISTY (rings for WILLIAM who en¬ 
ters) : WILLIAM, tell MAXJE to take 
LOUISE’S place at the tennis game, and send 
her here to me. (Pause.) On your way back, 
bring some fresh tea—this is all cold. 


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ing him) : My boy, my poor boy! (To ROB¬ 
ERT). Save my son, doctor, save my son. 

ROBERT (seriously): Now, now (dis¬ 
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ROBERT: He has broken down! 
(Confused). Dear me, still unconscious. 















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ROBERT (uneasy) : He is rather old—ex¬ 
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hand to his collar.) God, how infernally hot it 
is, and how it makes me perspire! 

LOUISE: Hell is a cool place—cool and 


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at door R. C. Dramatically.) WILLIAM 
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I WANT MY PANTS, MY TROUSERS, MY 
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(WILLIAM wheels in CHRISTY in an 
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CHRISTY (as if in a trance, feeling his hips 
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Featuring the animals at the end of Act Two, and 
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THE ADVISABILITY OF STAGING THE FOL¬ 
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LOUISE (taking PERCY aside to bench L 
of pavilion) : This is the first opportune mo¬ 
ment I have had since yesterday to see you 
alone. 

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(excitedly) whatever other ambitions I have 
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interests center around you to the exclusion 
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ROBERT (smilingly broadly) : Please don't 
frighten me. 

LOUISE (playfully, bidding for sympathy) : 
Father enjoyed poor health the whole night, 
but towards morning he complained of feeling 







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SERS; CAN’T YOU DO WITHOUT 
THEM EVEN ONCE.” MAXIE on this 
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MAXIE (displaying his Greek figure) : I 

am having the laugh on you this time as it 
happens. 

ROBERT: Don’t mind them, MAXIE, they 


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quiet for my own sake. (Exits.) 

LOUISE (dreamily): Poor MAXIE; the 
best he got out of yesterday’s little affair was 
the worst of it. . . . (To ROBERT.) Time 
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ROBERT (seriously, withdrawing from 
her embrace): And then . . . 

LOUISE (thoughtfully) : And then . . . 
Now that the control of my property has 
been regained I propose to live my owr 
































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CHRISTY (paces the room backwards and 
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MAXIE who dances his way into his father's 
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(Music stops abruptly.) 

(Enter JACK who looks apprehensive, 
followed by entire ensemble.) 

THOMAS (to ensemble) : It hurts me more 
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tiful property to the present owner was made 
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a signal from ROBERT, by a confederate, 
ROBERT is successful to get them away from 
the property with the best impression in the 
eyes of CHRISTY created, and the exchange 
of the mine for the estate consummated. 


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